![]() ![]() The venue did not really have food stalls worth visiting, and the bouncers had put on more weight since the last time I saw them in 2009. The sound loosened somewhere in between the performances of Enslaved and Meshuggah but no major complaints about it. Don’t be mistaken by the amount he speaks in the video below, because that is all he spoke. The crowd-interaction during their performance was as good as zero, though. Well, that never happened and even though I saw the drive on my side of the stage reduce, the band was in no mood to hang up. The drummer was always in focus – before and during the gig – and the audiences had their ears erect just so they could notice an error. ![]() I ain’t into them but then I’d be honest when I say I wanted to ‘watch’ them. The coordination and the exact replication of their songs only made people gaze in awe. ![]() Djent expands to progressive technical thrash and Meshuggah are the torchbearers. They came from Sweden with their instruments but took back a lot more. It was a win for the djent fans all along as was made clear by the energy that was noticed when the lights came on during Meshuggah‘s set. Enslaved‘s setlist included a mix of new, old and some really old tracks. The majority of the audiences acted as if they weren’t present and weren’t impacted by the band’s presence. The performance was raw and electrifying to those of us who have worshiped Norwegian acts. Enslaved, who have previously come to India in 2006, returned this time to cover more cities. Make no mistake in reading that because when I say Norwegians I mean black metal from there and that too from the same period when this nation was made aware of the genre’s presence. ![]()
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